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<rss version="2.0"><channel><description></description><title>[Pause. Do.]</title><generator>Tumblr (3.0; @pause-do)</generator><link>http://pause-do.tumblr.com/</link><item><title>"In effect, Roubaud requires us to move beyond the “age of suspicion” that Nathalie..."</title><description>“In effect, Roubaud requires us to move beyond the “age of suspicion” that Nathalie Sarraute declared open in 1946, then to move beyond the age of aesthetics, and to acquire and practice virtues as readers that mirror the spiritual exercise practiced by the author of TGFoL through the rules that govern his writing.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;David Bellos, “&lt;a title="The Pact of London" target="_self" href="http://www.dalkeyarchive.com/casebooks/david"&gt;The Pact of London&lt;/a&gt;”&lt;/em&gt;</description><link>http://pause-do.tumblr.com/post/214977575</link><guid>http://pause-do.tumblr.com/post/214977575</guid><pubDate>Fri, 16 Oct 2009 22:21:56 +0100</pubDate></item><item><title>"An emotional attachment to an object, place, or person cannot exist without a narrative to go along..."</title><description>“An emotional attachment to an object, place, or person cannot exist without a narrative to go along with it; hence the essentially ethical stance of much metafiction, which makes us consciously aware of how storytelling affects our everyday lives.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;a target="_blank" title="Review of "I'd Like" | The Quarterly Conversation" href="http://quarterlyconversation.com/id-like-by-amanda-michalopoulou-review"&gt;George Fragopoulos&lt;/a&gt; on “I’d Like” by Amanda Michalopoulou at The Quarterly Conversation&lt;/em&gt;</description><link>http://pause-do.tumblr.com/post/161583391</link><guid>http://pause-do.tumblr.com/post/161583391</guid><pubDate>Wed, 12 Aug 2009 23:37:45 +0100</pubDate></item><item><title>"It is useless to appeal to the author’s intention, not because we… are limited to the..."</title><description>“It is useless to appeal to the author’s intention, not because we… are limited to the text, but because [it has] been in a continuous process of translation along with the writing as it evolves.What existed in the beginning, and at every point to [the work’s] completion, is a continuum of difference that moves both forward and back.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;a target="_blank" href="http://jacobrussellsbarkingdog.blogspot.com/2009/01/what-is-difference-between-carving-duck.html"&gt;Jacob Russell&lt;/a&gt; via &lt;a target="_blank" href="http://larvalsubjects.wordpress.com/2009/01/17/towards-a-new-transcendental-aesthetic/"&gt;Larval Subjects&lt;/a&gt;&lt;/em&gt;</description><link>http://pause-do.tumblr.com/post/151774317</link><guid>http://pause-do.tumblr.com/post/151774317</guid><pubDate>Wed, 29 Jul 2009 21:02:47 +0100</pubDate></item><item><title>"If the character has to duck under a low doorway, my own shoulders sidle through an imaginary frame...."</title><description>“If the character has to duck under a low doorway, my own shoulders sidle through an imaginary frame. A day is a succession of the littler stories we tell ourselves, and those stories make less sense to me without the gestures and grimaces to annotate them, to in some cases produce the meaning in my mind.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;a target="_blank" title="Unconscious Choreography | Sam Kean" href="http://www.3quarksdaily.com/3quarksdaily/2009/07/unconscious-choreography-literally-moving-stories.html"&gt;Sam Kean&lt;/a&gt; @ &lt;a target="_blank" title="3 Quarks Daily" href="http://www.3quarksdaily.com/"&gt;3QD&lt;/a&gt;&lt;/em&gt;</description><link>http://pause-do.tumblr.com/post/136355367</link><guid>http://pause-do.tumblr.com/post/136355367</guid><pubDate>Mon, 06 Jul 2009 11:47:28 +0100</pubDate></item><item><title>Karl Blitz devoted himself to devising a logical system of universal symbols that would make it...</title><description>&lt;p&gt;Karl Blitz devoted himself to devising a logical system of universal symbols that would make it impossible for Hitler-style propaganda to succeed—”inconsistencies and falsehoods would be instantly exposed.” There was no response, and it looked like his life’s work was a failure. Then in the late 1960s Shirley McNaughton, a teacher at the Ontario Crippled Children’s Center who despaired of reaching the children who couldn’t speak, ran across a copy of Bliss’s book and gave it a try: “Kids whose communicative worlds had been defined by the options of pointing to a picture of a toilet, or waiting for someone to ask the right question, started talking about a car trip with a father, a brother’s new bicycle, a pet cat’s habit of hiding under the bed. Kids who were assumed to be severly retarded showed remarkable ingenuity in getting their messages across.” &lt;br/&gt;—&lt;a target="_blank" title="Languagehat | The Bookshelf: In the Land of Invented Languages" href="http://www.languagehat.com/archives/003501.php"&gt;Languagehat&lt;/a&gt; on In the Land of Invented Languages&lt;/p&gt;</description><link>http://pause-do.tumblr.com/post/111046590</link><guid>http://pause-do.tumblr.com/post/111046590</guid><pubDate>Thu, 21 May 2009 18:02:21 +0100</pubDate></item><item><title>"…thereafter, various theorist-adventurers would find what they wanted, asking their question..."</title><description>“…thereafter, various theorist-adventurers would find what they wanted, asking their question into the cave’s echo and receiving their echoing question which they took for an answer. And so with the [critic]: is it not some clue to her- self? As though [those] upon whom she writes were other versions of her, ahead of her.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;a target="_blank" title='Spurious - "Question and Echo"' href="http://spurious.typepad.com/spurious/2009/02/question-and-echo.html"&gt;Spurious&lt;br/&gt;&lt;/a&gt;&lt;/em&gt;</description><link>http://pause-do.tumblr.com/post/82653716</link><guid>http://pause-do.tumblr.com/post/82653716</guid><pubDate>Mon, 02 Mar 2009 01:08:32 +0000</pubDate></item><item><title>"Fiction” is free to distort the “real” in whatever way provides the work its..."</title><description>““Fiction” is free to distort the “real” in whatever way provides the work its integrity, at whatever length, in whatever style or form. [A]t least it could [be] if we didn’t insist “fiction” is “story.” [It] has moved closer to its origins in poetry, away from nar- rative toward other arr- angements and rearr- angements of language.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;a target="_blank" title="Novel No Longer" href="http://noggs.typepad.com/the_reading_experience/2009/01/richard-crary-finds-the-term-novel-too-confining-and-wonders-------why-should-contemporary-prose-works-necessarily-be-tre.html"&gt;Dan Green&lt;/a&gt;, edited as always&lt;/em&gt;</description><link>http://pause-do.tumblr.com/post/70423337</link><guid>http://pause-do.tumblr.com/post/70423337</guid><pubDate>Wed, 14 Jan 2009 13:47:42 +0000</pubDate></item><item><title>"[At this point Ginsberg offers to show Lofton how to meditate. Lofton agrees but asks Ginsberg if he..."</title><description>“[At this point Ginsberg offers to show Lofton how to meditate. Lofton agrees but asks Ginsberg if he plans to take off his clothes. Ginsberg says no. They meditate. They resume the interview.]”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;John Lofton &lt;a target="_blank" title="John Lofton interviews Allen Ginsberg" href="http://aniceplace.wordpress.com/2008/11/09/allen-ginsberg-vs-john-lofton/"&gt;interviews&lt;/a&gt; Allen Ginsberg, Harper’s Magazine.  H/t: Daily Dish&lt;/em&gt;</description><link>http://pause-do.tumblr.com/post/65973830</link><guid>http://pause-do.tumblr.com/post/65973830</guid><pubDate>Sun, 21 Dec 2008 00:02:19 +0000</pubDate></item><item><title>"Content is wed to form; with each project the shape has to be reinv- ented; this requires the..."</title><description>“Content is wed to form; with each project the shape has to be reinv- ented; this requires the willingness to experim- ent. I am more interested in producing a flawed, mortal document than something that is just a nod to convention. I also tend to favor writing that is an event not just the record of [one].”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;a target="_blank" title="Interview w/ Carol Maso" href="http://www.wordriot.org/template_2.php?ID=1641"&gt;Carol Maso&lt;/a&gt;, h/t &lt;a target="_blank" title="The Existence Machine" href="http://yolacrary.blogspot.com/"&gt;The Existence Machine&lt;/a&gt;, edited&lt;/em&gt;</description><link>http://pause-do.tumblr.com/post/65436079</link><guid>http://pause-do.tumblr.com/post/65436079</guid><pubDate>Wed, 17 Dec 2008 22:50:12 +0000</pubDate></item><item><title>Be patient.  It may take you a while to see this.
Block out the...</title><description>&lt;img src="http://10.media.tumblr.com/crt81XsnCh1fm3xvryZxRwAlo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Be patient.  It may take you a while to see this.&lt;/p&gt;
&lt;p&gt;Block out the head’s “hair.” That’s just a collection of foliage in the background. The “eye” is the face the child, shadowed by a large white bonnet. The “nose” is the sleeve of the child’s shirt. And the “mustache” is the child’s arm, bent at the elbow.&lt;/p&gt;</description><link>http://pause-do.tumblr.com/post/62783624</link><guid>http://pause-do.tumblr.com/post/62783624</guid><pubDate>Wed, 03 Dec 2008 11:19:00 +0000</pubDate></item><item><title>Un message qui s’affiche toutes les 12 heures grâce à plus...</title><description>&lt;img src="http://11.media.tumblr.com/crt81XsnCgyonuc5BtsqNfYyo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Un message qui s’affiche toutes les 12 heures grâce à plus de 500 horloges. Il s’agit du projet de Nadine Grenier, étudiante à l’Esad : un élégant travail autour du temps qui passe, à l’occasion de la Biennale internationale Design à Saint-Etienne.&lt;/p&gt;
&lt;p&gt;H/T: &lt;a target="_blank" title="today and tomorrow" href="http://www.todayandtomorrow.net/"&gt;today and tomorrow&lt;/a&gt;&lt;/p&gt;</description><link>http://pause-do.tumblr.com/post/62415034</link><guid>http://pause-do.tumblr.com/post/62415034</guid><pubDate>Mon, 01 Dec 2008 13:09:49 +0000</pubDate></item><item><title>"[Magnifying] a limb [to] look bigger than it actually is increases the pain and swelling evoked by..."</title><description>“[Magnifying] a limb [to] look bigger than it actually is increases the pain and swelling evoked by movements and…, conversely, making a limb look smaller than it is reduces that pain.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;a href="http://scienceblogs.com/neurophilosophy/2008/11/distorting_the_body_image_affects_perception_of_pain.php" target="_blank"&gt;Distorting the body image affects perception of pain, Neurophilosophy&lt;br/&gt;&lt;/a&gt;&lt;/em&gt;</description><link>http://pause-do.tumblr.com/post/62115028</link><guid>http://pause-do.tumblr.com/post/62115028</guid><pubDate>Sat, 29 Nov 2008 12:51:00 +0000</pubDate></item><item><title>"Looking back over [life], [it] seems so foreshortened that I scarcely understand, for instance, how..."</title><description>“Looking back over [life], [it] seems so foreshortened that I scarcely understand, for instance, how a young man can decide to ride over to the next village without being afraid that— not to mention accidents— even the span of a normal happy life may fall far short of the time needed for such a journey.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;“The Next Village” by Kafka                  .&lt;/em&gt;</description><link>http://pause-do.tumblr.com/post/57983284</link><guid>http://pause-do.tumblr.com/post/57983284</guid><pubDate>Tue, 04 Nov 2008 21:43:43 +0000</pubDate></item><item><title>"Writing, I catch traces of [my father’s] hands in mine, they sneak up through my fingers as..."</title><description>“Writing, I catch traces of [my father’s] hands in mine, they sneak up through my fingers as particles, the short, light hairs above my knuckles, part of my inheritance from him.  I have short hands, too, or small hands.  Actually, my hands are more like my mother’s.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt; from “An Impossible Man,” &lt;i&gt;The Broad Picture: Essays&lt;/i&gt; by Lynne Tillman&lt;/em&gt;</description><link>http://pause-do.tumblr.com/post/54892632</link><guid>http://pause-do.tumblr.com/post/54892632</guid><pubDate>Thu, 16 Oct 2008 19:51:55 +0100</pubDate></item><item><title>"We can choose to be aware that no one exists in an existential void; we live and love within..."</title><description>“We can choose to be aware that no one exists in an existential void; we live and love within frameworks; rejection doesn’t free us. Free verse hasn’t liberated itself from form, but merely cast away that of which it is aware and rendered itself oblivious to that which still surrounds it.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;a target="_blank" href="http://culture11.com/blogs/postmodernconservative/2008/10/11/is-that-a-lipogram-in-your-pocket-or-are-you-just-happy-to-see-me/"&gt;Will&lt;/a&gt; @ PomoCon, heavily ‘concised’ to fit&lt;/em&gt;</description><link>http://pause-do.tumblr.com/post/54263612</link><guid>http://pause-do.tumblr.com/post/54263612</guid><pubDate>Mon, 13 Oct 2008 01:11:19 +0100</pubDate></item><item><title>“…A symmetry-breaking event was revealed. Before...</title><description>&lt;embed id="VideoPlayback" src="http://video.google.com/googleplayer.swf?docid=-1945883129378466165&amp;hl=en&amp;fs=true" style="width: 400px;height: 326px" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;“…A symmetry-breaking event was revealed. Before this event, the embryo…is said to be radially symmetrical. When broken, the bilaterally symmetrical body plan begins to emerge and the orientation of the future body axes can be accurately predicted.” - &lt;a target="_blank" href="http://www.embl-heidelberg.de/digitalembryo/#Movies"&gt;Zebrafish embryonic development&lt;/a&gt;, via &lt;a target="_blank" href="http://scienceblogs.com/neurophilosophy/2008/10/awesome_movies_of_zebrafish_embryogenesis.php"&gt;Neurophilosophy&lt;/a&gt;&lt;/p&gt;</description><link>http://pause-do.tumblr.com/post/54111448</link><guid>http://pause-do.tumblr.com/post/54111448</guid><pubDate>Sat, 11 Oct 2008 19:38:53 +0100</pubDate></item><item><title>"As he does this, he intones, “I dip the head in the boa’s water.” The warriors in turn respond, “He..."</title><description>“As he does this, he intones, “I dip the head in the boa’s water.” The warriors in turn respond, “He is boiling the head.” …  Interestingly, once made, the heads are usually discarded as the significance lies in the process rather than the product.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;&lt;a target="_blank" href="http://www.mindhacks.com/blog/2008/10/the_science_of_shrin.html"&gt;The Science of Shrinking Human Heads&lt;/a&gt;, via Mind Hacks&lt;/em&gt;</description><link>http://pause-do.tumblr.com/post/54110200</link><guid>http://pause-do.tumblr.com/post/54110200</guid><pubDate>Sat, 11 Oct 2008 19:23:15 +0100</pubDate></item><item><title>Fischerspooner - Get Confused</title><description>&lt;object type="application/x-shockwave-flash" width="400" height="302" data="http://vimeo.com/moogaloop.swf?clip_id=1305177&amp;server=vimeo.com&amp;fullscreen=1&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF"&gt;&lt;param name="quality" value="best" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="scale" value="showAll" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=1305177&amp;server=vimeo.com&amp;fullscreen=1&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF" /&gt;&lt;embed src="http://www.vimeo.com/moogaloop.swf?clip_id=1305177&amp;server=www.vimeo.com&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="302"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Fischerspooner - Get Confused&lt;/p&gt;</description><link>http://pause-do.tumblr.com/post/54071048</link><guid>http://pause-do.tumblr.com/post/54071048</guid><pubDate>Sat, 11 Oct 2008 12:49:45 +0100</pubDate></item><item><title>"A good play can change not just a man’s life but his identity, but only if he “believes”..."</title><description>“A good play can change not just a man’s life but his identity, but only if he “believes” it in a very particular way. He can’t really believe it, but neither can he keep in the front of his mind that it’s just his friend in an Oedipus mask. That’s the kind of belief I have in my traditions, especially those that can’t be traced back to divine revelation.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;from Helen at &lt;a target="_blank" href="http://culture11.com/blogs/postmodernconservative/2008/10/10/postmodernism-is-conservative-you-may-not-be-an-old-fashioned-girl-but-youre-still-gonna-get-dated/"&gt;PomoCon&lt;/a&gt;, in response to Freddie&lt;a target="_blank" href="http://culture11.com/blogs/postmodernconservative/2008/10/10/postmodernism-is-conservative-you-may-not-be-an-old-fashioned-girl-but-youre-still-gonna-get-dated/"&gt;&lt;/a&gt;&lt;/em&gt;</description><link>http://pause-do.tumblr.com/post/54065571</link><guid>http://pause-do.tumblr.com/post/54065571</guid><pubDate>Sat, 11 Oct 2008 11:30:00 +0100</pubDate></item><item><title>"I think most atheists think like the religious, because they have not yet begun to imagine the..."</title><description>“I think most atheists think like the religious, because they have not yet begun to imagine the wasteland of meaning that the death of God has left us in.  For all of our failings, we existentialists have [a compassionate] understanding that comes from really believing in the human animal lost at sea.”&lt;br/&gt;&lt;br/&gt; - &lt;em&gt;Freddie at &lt;a target="_blank" href="http://lhote.blogspot.com/2008/10/pomocons-freddie-and-god.html"&gt;L’Hôte&lt;/a&gt;&lt;/em&gt;</description><link>http://pause-do.tumblr.com/post/53947985</link><guid>http://pause-do.tumblr.com/post/53947985</guid><pubDate>Fri, 10 Oct 2008 15:35:15 +0100</pubDate></item></channel></rss>
